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Strymon Dig V2 / Dual Digital Delay

Delay Pedal
  • Strymon Dig V2 / Dual Digital Delay
  • Strymon Dig V2 / Dual Digital Delay
  • Strymon Dig V2 / Dual Digital Delay
  • Strymon Dig V2 / Dual Digital Delay
EUR 370.10
Incl. IVA, portes grátis
Os designs eletrônicos inovadores geraram os atrasos mais limpos que já foram ouvidos

Mergulhe nas três vozes de atraso digital do DIG: o modo de modulação delta adaptável do início dos anos 80, o modo de modulação de código de pulso de 12 bits de meados dos anos 80 e o modo moderno de alta resolução 24/96
Esta página contém descrições traduzidas automaticamente por um serviço de tradução.  Mostrar versão em inglês. 

Descrição

  • Voices Of Digital

    Don’t all digital delays sound the same? What gives a digital delay its own unique personality? Digital conversion technologies in the late 70s were advancing rapidly, and clever electronics designers were on a quest to squeeze out the best possible performance specs, with fidelity not possible from tape or analog circuits. Their imaginative solutions to the limitations of the conversion process resulted in delays that possessed some unintended, unique characteristics. DIG accurately and beautifully reveals their individual personalities. ADM – A one bit, high sample rate conversion technique that evolved from telecommunications voice coding. The conversion and supporting signal conditioning, limiting, and pre-emphasis/deemphasis create a percussive wide-band delay that adds more character when input dynamics increase. 12 bit – A 12 bit, 32kHz PCM conversion made possible by monolithic IC chips developed in the late ’70s. Pre-emphasis/de-emphasis and companding combine with the converters to produce a warm delay with a dimensional sense. 24/96 – A clean, high-resolution, high-bandwidth delay with a hint of dynamics that allow the delay to sit nicely with the analog dry signal. 24 bit resolution and a 96kHz sampling rate ensure uncolored, artifact-free repeats.

  • Two-For-One Special

    At the heart of DIG are two simultaneous, integrated delay machines. Delay 1 is the master delay — Its free-running delay time allows you to easily dial in delays from 20ms to 1.6s with the Time knob or Tap Tempo switch. Longer delay times lend themselves to more ambient soundscapes while doubling and slapback effects can be achieved at short delay times. Delay 2 follows as the companion delay. A dedicated subdivision control determines the ratio between the two delays with one of five rhythmic subdivisions: triplet, eighth note, dotted eighth note, dotted quarter note, and the golden ratio. Don’t want your delays to be synchronized? DIG’s Free Mode secondary function disables time sync and subdivisions between Delay 1 and Delay 2, giving the Time 2 knob a full delay range from 20ms to 1.6s. This lets you use both of DIG’s delays as truly independent, standalone delay machines.

  • Go Your Own Way

    Series, Parallel, Ping Pong — Set up your two delays in one of three configurations. Series is like setting up pedals in a chain on your board one after the other, with Delay 2 feeding into Delay 1. Parallel will orient your delay lines so that they remain independent — Delay 1 in the left channel and Delay 2 in the right channel. If used in mono, both delays are heard at once without feeding into each other. With Ping Pong, each delay acts as a ping pong delay, interacting together when both Mix knobs are turned up. Use in stereo for captivating back and forth rhythms.

  • Total Control

    DIG features a full suite of practical delay controls to dial in your dream reverb tone, from the studio to the stage. Two dedicated Mix controls let you determine just the right amount of wet to dry signal, from no delays at all, to 50/50 at 3 o’clock, all the way to full wet, delay-only tones, for both of DIG’s two delay machines. DIG’s Repeats knob adjusts the repeat amount for both delays. From singular repeats for short slapback delays, all the way to infinitely repeating echoes at its max position. Want a different amount of repeats for Delay 2? DIG features a secondary function to choose between individually dialing in Delay 2’s repeats amount, or having them controlled by the main Repeats knob. DIG also features two individual Time knobs for each of its two delay machines, giving you access to everything from super snappy quick delays, to long, spacey delays. Time 2 can be used to sync Delay 2’s delay time to one of 5 different delay subdivisions, or used in Free Mode to independently dial in your desired delay time. Delay time for Delay 1 can also be set with the Tap Tempo switch for easy on-the-fly tempo adjustments.

  • Add Some Movement

    Need to add some extra character to your repeats? DIG features three levels of delay line modulation, perfect for adding richness and dimension to your delays. Choose between no modulation to hear only your delays, light mod for subtle modulation, or deep mod for lush, thick increased modulation.

  • Tune Your Tone

    Our new generation of DIG lets you fine tune your delay tone with a dedicated Tone control that adjusts the feedback filter response. Turn Tone to the left to cut out high frequencies for dark, washed out repeats, set it to noon for a neutral, flat response, or go past that for sparkly, shiny delays with reduced low frequencies.

  • Round And Round

    Want to infinitely let your repeats echo on and on to create rhythmic soundscapes at the press of a button? Holding down the TAP footswitch enables circular repeats, where both delay lines maintain a static volume and repeat continuously until the TAP footswitch is disengaged. At this point, all previous settings will be restored.

Rack Para O Futuro.

Os atrasos digitais de montagem em rack dos anos 80 inauguraram uma nova era de efeitos de áudio. Os designs eletrônicos inovadores geraram os delays mais limpos que já foram ouvidos, mas também criaram suas próprias características sonoras especiais e intrigantes. Mais de trinta anos depois, esses sons permanecem tão distintos e inspiradores como sempre.

Nossa investigação completa da tecnologia de atraso digital revela as personalidades únicas que esses atrasos possuem. Mergulhe nas três vozes de atraso digital do DIG: o modo de modulação delta adaptável do início dos anos 80, o modo de modulação de código de pulso de 12 bits de meados dos anos 80 e o modo moderno de alta resolução 24/96.

Multiplique esses voicings distintos por dois e obtenha DIG - seu aliado de delay duplo perfeito.

Características

Detalhes do produto
Número de produto 239135
Marca Strymon
Categoria Delay Pedal
Categoria Strymon - Delay Pedals
Classificação de relevância 22 de 135
Data July 2022
Dimensão
Profundidade da caixa 230mm
Altura da caixa 130mm
Peso bruto 0.8kg

Propriedades

- Entrada estéreo JFET TRS discreta classe A de alta impedância e baixo ruído.
- Saídas estéreo TS independentes de baixa impedância.
- A entrada do pedal de expressão permite a conexão de um pedal de expressão TRS, MiniSwitch, MultiSwitch Plus ou conexão TRS MIDI.
- Tomada USB para controle via MIDI a partir de um computador ou para realizar atualizações de firmware.
- Footswitches dedicados Tap Tempo & On/Off

Especificações

- Front-end analógico JFET premium
- Conversores A/D e D/A de 24 bits e 96kHz de alto desempenho e ruído ultra baixo fornecem qualidade de áudio intransigente
- Processador ARM Superescalar de 520MHz
- Processamento de ponto flutuante de 32 bits
- Resposta de frequência de 20Hz a 20kHz
- Impedância de entrada de áudio: 1M Ohm
- Impedância de saída de áudio: 100 Ohm
- Chassi de alumínio rosa forte e leve
- Fonte de alimentação 9V DC incluída
- Requisitos de alimentação: máximo 9 volts DC centro-negativo, com um mínimo de 300mA de corrente
Dimensões:
4,5" de profundidade x 4" de largura x 1,75" de altura
11,4 cm de profundidade x 10,2 cm de largura x 4,4 cm de altura
Projetado e construído nos EUA

Marca

Strymon is a well-known manufacturer of high-quality audio effects and signal processing equipment for musicians and audio enthusiasts. They are particularly renowned for their guitar and audio effect pedals. Strymon's products are highly regarded in the music industry for their exceptional sound quality and innovative features. They are used both in the studio and in live performances to enhance and shape the sound of instruments and audio signals.
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