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Walrus Audio Descent Descent Reverb/Octave Machine

Riverbero
  • Walrus Audio Descent Descent Reverb/Octave Machine
  • Walrus Audio Descent Descent Reverb/Octave Machine
  • Walrus Audio Descent Descent Reverb/Octave Machine
  • Walrus Audio Descent Descent Reverb/Octave Machine
  • Walrus Audio Descent Descent Reverb/Octave Machine
  • Walrus Audio Descent Descent Reverb/Octave Machine
  • Walrus Audio Descent Descent Reverb/Octave Machine
  • Walrus Audio Descent Descent Reverb/Octave Machine
EUR 316.15
Free delivery in Spānija
Power supply not included!

Atribūti

Attributi chiave
Funziona a batteria No
Tipi di effetti Ritardo , Riverbero
Il vero bypass No
Informazioni generali
Informazioni sul produttore <strong>null</strong> <br/>7801 N Robinson Ave <br/>73116 Oklahoma City OK <br/>Stati Uniti <br/> <br/><a href="mailto:info@walrusaudio.com" target="_blank" rel="noopener">info@walrusaudio.com</a>
Riverbero attributi
Alimentatore incluso No
Analogico/Digitale Analog
Configurazione dell'uscita Stereo
Configurazione degli ingressi Mono
Mini modulo No
Voltaggio 9V
Dettagli del prodotto
Numero prodotto 186833
Marca Walrus Audio
Gamma Delay / Reverb
Categoria Riverbero
Marchi Walrus Audio - Riverberi
Classifica della rilevanza 78 di 94
Data gennaio 2016
Dimensione
Profondità della confezione 405mm
Altezza della confezione 98mm
Peso lordo 0.666kg

Zīmols

Art and Performance. Walrus Audio is a collective of artists, musicians and engineers attempting to find the balance between art and performance in sound manipulation. Throughout the years we have been inspired by sounds created by our favorite companies: the perfect breakup on an overdrive; a thick, punchy distortion; an endlessly sustained reverb; a self-oscillating delay. We had to give it a shot. Through many months of late night breadboarding sessions, circuit problem-solving, and sonic tweaking we have come up with a range of guitar pedals as versatile as they are functional. From smooth fuzz to cutting overdrive, our attempts have been to highlight the functions that we would want from these particular sounds. Once we had an accurate idea of the sounds we were creating, we then tried to capture the feel and representation of the pedals through their individual artwork. This process was made possible by Oklahoma artist and musician Nathan Price. Taking stylistic inspiration from classically animated films and using freehand sketching, Nathan has perfectly captured what our pedals should look like. It is our goal to make guitar effects that are as interesting to play as they are to look at. So that's what we are going to do.
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