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Walrus Audio EB-10 (cream)

Distortion (Zkreslení) Pedál
  • Walrus Audio EB-10 (cream)
  • Walrus Audio EB-10 (cream)
  • Walrus Audio EB-10 (cream)
  • Walrus Audio EB-10 (cream)
  • Walrus Audio EB-10 (cream)
  • Walrus Audio EB-10 (cream)
  • Walrus Audio EB-10 (cream)
  • Walrus Audio EB-10 (cream)
EUR 224.50
Incl. VAT, free shipping

Description

A tone tweakers delight, the EB-10 works as a preamp, EQ and boost to meticulously craft your guitar’s sound allowing for studio-grade electric guitar tone in a live setting. Each rotary knob offers up to 12dB of boost OR cut of Low, Mid, and High frequencies, based on where you have the toggle switches set. When the Boost switch is engaged, add a 10dB MOSFET boost for some great extra punch.
Use the EB-10 to compensate when switching between low and high output instruments. Push through the mix during solos, or even use the onboard presets as three different gain stages by using combinations of increasing boosted EQ settings and the Boost switch! With nine different EQ positions on each knob, bring out new tonal characteristics you didn’t know your guitar or bass even had.

The EB-10 offers two operating modes, “Live” and “Preset”. In live mode, the pedal responds to current position of all the knobs and switches. Dial in a specific sound and turn the pedal on and off with the Bypass switch. In preset mode, the pedal offers preset slots to store three unique sounds. When in preset mode, the pedal is locked on and the user can scroll through the presets by clicking the Bypass switch. The pedal will boot up in the last known operating mode and if that is preset mode, it loads preset 1 by default. Enter preset mode by pressing and holding the bypass switch for 3 seconds until you see the preset light P1 turn on. Repeat to exit. You are in live mode when all preset lights are off. Refer to the manual on saving presets.

A portion of proceeds from each pedal sold will be donated to www.raicestexas.org.
The EB-10 comes coated in Prismatic Powders, Matte Black and Cream enclosures with art inspired by vintage studio equipment. Design by Tyler Evans.

The die-cast enclosure’s exact size is 11.9 x 9.4 x 3.9 cm. Power requirements are 9VDC, center negative (100mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.

Attributes

Key attributes
Effect Types Pre-amp
Battery Operated No
True Bypass Yes
Distortion Pedal attributes
PSU Included No
Mini Form No
Input Configuration Mono
Output Configuration Mono
Voltage 9V
Analog/Digital Analog
Product Details
Product Number 210099
Brand Walrus Audio
Category Distortion Pedal
Brand Category Walrus Audio - Distortion
Relevancy rank 457 of 559
Date November 2019
Dimension
Box Depth 270mm
Box Height 120mm
Gross Weight 0.62kg

Properties

3-Band EQ, preamp and MOSFET boost
Compensates tonal differences e.g. when changing instruments
Determines the tonal character of an instrument at the time of use
3-Band EQ: LOW, MID and HIGH
MID band: center frequency and Q factor internally adjustable
Cut or boost function switchable per EQ band
4 Switchable cut / boost options per EQ band: 3, 6, 9 and 12 dB
MOSFET boost switchable +10 dB
Live and preset mode
3 Preset spaces

Brand

Art and Performance. Walrus Audio is a collective of artists, musicians and engineers attempting to find the balance between art and performance in sound manipulation. Throughout the years we have been inspired by sounds created by our favorite companies: the perfect breakup on an overdrive; a thick, punchy distortion; an endlessly sustained reverb; a self-oscillating delay. We had to give it a shot. Through many months of late night breadboarding sessions, circuit problem-solving, and sonic tweaking we have come up with a range of guitar pedals as versatile as they are functional. From smooth fuzz to cutting overdrive, our attempts have been to highlight the functions that we would want from these particular sounds. Once we had an accurate idea of the sounds we were creating, we then tried to capture the feel and representation of the pedals through their individual artwork. This process was made possible by Oklahoma artist and musician Nathan Price. Taking stylistic inspiration from classically animated films and using freehand sketching, Nathan has perfectly captured what our pedals should look like. It is our goal to make guitar effects that are as interesting to play as they are to look at. So that's what we are going to do.
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