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RME Micstasy

Multi-Channel Microphone Pre-amp
  • RME Micstasy
  • RME Micstasy
  • RME Micstasy
  • RME Micstasy
  • RME Micstasy
  • RME Micstasy
EUR 3720.00
Incl. VAT, free shipping
8-channel high-end preamp for microphones and instruments, remote controllable, with MADI option

digitally controlled level control in 0.5dB steps, 85dB adjustment range and internal PAD switch
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Description

At the AES in Paris, RME presents the brand new MICstasy, a high-end preamplifier and A/D converter for analog signals, microphone, line and instrument. The RME MICstasy is the professional tool for mobile use, in the studio and during installations, right through to uncompromising live recordings - this even makes surround recordings child's play. The extensive equipment enables extremely flexible use. The amplified signal can be output via the analog outputs, thereby saving an expensive splitter. All important functions can be remotely controlled via MIDI and MIDI via MADI. This means that the MICstasy can be placed very close to the microphone and the optimal sound quality is maintained. There are even more possibilities when expanding with the retrofittable MADI option. The MADI signal can then be looped through from one MICstasy to the next (up to 8). The individual audio signals are integrated into the MADI data stream and can then be transported via a single line. Such a connection is also possible between MICstasy and ADI-8 QS. The AutoSet function Normally, preamps do not have protection against overloading of the A/D converters. And if so, then only via a “normal” limiter. However, this degrades the technical data of the signal to such an extent that use in the MICstasy is not acceptable. RME solved the problem of overload safety in a completely different way: In the "AutoSet" mode, the analog channels are monitored for overload and reduced if necessary. This is made possible by digital control of the input levels. In practice, a run is made with the loudest levels and the MICstasy adjusts the gain optimally - done! Live recordings become easier, safer and much more relaxed. The MICstasy from RME is expected to be available in stores from August 2006 at a price of around CHF 5000. Features - 8 high-end preamplifiers for microphone, line and instrument signals - digitally controlled level control in 0.5dB steps, 85dB adjustment range and internal PAD switch - 8-channel A/D converter (CS5381) with extremely short conversion times and high signal-to-noise ratio - High maximum output level of +27dBu - Digital outputs (2 x ADAT, 4 x AES/EBU) with up to 192kHz - Remote control via MIDI and MIDI via MADI - Optional MADI extension - further interfaces in development

Attributes

Product Details
Product Number 109559
Brand RME
Series Micstasy
Category Multi-Channel Microphone Pre-amp
Brand Category RME - Multi-Channel Pre-amps
Relevancy rank 36 of 36
Date February 2007
Dimension
Weight 5.99kg

Properties

Frequency range -0.1 dB: 20 ​​Hz - 100 kHz

ON @ 30 dB gain @ 150 Ohm: 122.3 dBu

ON @ 40 dB gain @ 150 Ohm: 126.5 dBu

ON @ 50/60/70 dB gain @ 150 Ohm: 127.4 dBu

THD+N @ 30dB gain: < -100dB, < 0.001%



Signal-to-noise ratio AD (SNR) @ +30 dBu: 115.2 dB RMS unweighted, 118.5 dBA

Signal-to-noise ratio AD (SNR) @ +21 dBu: 112.7 dB RMS unweighted, 116 dBA

Signal-to-noise ratio AD (SNR) @ +13 dBu: 110 dB RMS unweighted, 113 dBA



Sync sources: Internal, AES, Wordclock, Option (MADI)

Sample frequencies: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz, variable (external clocks)

sample Rate Range: MADI: 32 - 96 kHz, Word Clock: 27 kHz - 200 kHz, AES: 28 kHz - 200 kHz



Jitter: Typical < 1 ns for internal, word clock in, AES in and MADI in

Jitter suppression with external clock: > 30dB (2.4kHz)

Jitter sensitivity: all PLLs work smoothly even at 100 ns jitter

Power supply: Internal switching power supply, 100V - 240V AC, 60 watts

Dimensions (WxHxD) 483 x 88 x 200 mm

Warranty: 2 years

- Weight: 5.990kg
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