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SSL XL Desk Unloaded
| Product # | 240838 |
| Brand | SSL |
| Category | Passive Mixing Consoles |
| Release date | November 2022 |
| Availability |  Will be ordered for you as quick as possible |
Description
Channel Strips
XL-Desk may be compact but it features all of the classic SSL channel strip features which make our consoles so versatile and accommodate such a wide range of production requirements. XL-Desk has 20 channel strips. The first 16 channel strips are dual input mono, meaning they can be switched between a main input and a DAW return whilst tracking. The Remaining four strips are stereo channels. Channels 1-8 have VHD mic pre's. Channels 9-16 are line level but can use the 500 rack for mic inputs if desired. Each mono channel can access a corresponding 500 format module and also has a separate traditional Insert point. The four stereo channels cannot access the 500 rack and do not have Insert points. All of the channels have an additional Direct Output to facilitate printing processed material to your DAW and this can be switched between pre-/post fader. Each channel has a +/-20dB Trim control which can be used in a couple of ways: for VHD channels in can be used to control the output level from the VHD into the channel when using heavy distortion, when used with a 500 rack module it can be used to drive the level into the inserted module. There is a phase invert switch. Beside the Trim control is a tri-colour signal indicator LED. The metering on XL Desk can be switched between +24dBu and +18dBu Scale to give the following LED settings.
Mix Buses
Designed by the team behind Duality and AWS, XL-Desk delivers the kind of stunning audio quality only associated with SuperAnalogueTM SSL consoles. XL-Desk provides the sought after separation, clarity and punch behind thousands of hit records made on SSL consoles. Everyone agrees that the sonic magic of an SSL console happens at the Mix Bus but one bus is not always enough! Many high-profile mixers use multiple mix buses to create parallels or sub-groups of instruments, helping them to compress and manipulate sounds in unique ways. These 'tricks of the trade' are some of the most effective to help take a mix from 'good' to 'great'. XL-Desk provides no less than 4 mix buses - A, B, C and D. Mix A is the master bus, from which the final stereo mix is derived. This has its own 100mm fader. Mixes B, C and D each have their own level control and crucially, the ability to sum into Mix A. All 4 Mix Buses have Direct Outputs for DAW printing, separate standard stereo Insert points and have the ability to access slots 9-16 of the in-built 500 format rack.
VHD Pre's
XL-Desk features 8 of SSL's patented Variable Harmonic Drive (VHD) microphone preamps, built-in to the first 8 channels of the console. The VHD pre can deliver clean SSL grade recordings but also features the VHD circuit used in our acclaimed Duality console* which can be switched into the signal path. The Variable Harmonic Drive circuit uses a 100% analogue signal path to generate rich harmonic distortion. As you increase the input gain, the Variable Harmonic Drive circuit introduces either 2nd or 3rd harmonic distortion or a blend of the two to your source material. At lower gain settings it adds gentle valve-style warmth or a touch of transistor edge. As the gain is increased the more extreme the distortion becomes until at high gain settings it delivers fierce trashy transistoresque grunge. VHD pre's give the user the ultimate versatility from a studio grade preamp. Whether it's ultra-clean traditional SSL, subtle warming or totally trashy transistor distortion, VHD will change your expectations of what a preamplifier should deliver.
500 Format Slots
For many of our users combining different tonal characteristics from a range of analogue equipment by a selection of manufacturers is an integral part of their sound. The popular modular '500 format' facilitates the use of a wide range of analogue processing modules from different manufacturers. So, built into the penthouse of XL-Desk is an 18-slot 500 format rack. This rack can be loaded with any combination of SSL or third-party 500 format modules, as desired by the user. The in-built 500 rack offers the user the opportunity to add their own favourite sonic flavours to their SSL console, whilst keeping it all within arm's reach. The XL-Desk rack has its own dedicated power supply, separate to the power supply for the rest of the console. Unlike many stand-alone 500 format racks the XL Desk rack has a very highly specified power supply which should deliver sufficient power to accommodate your selection of modules. SSL cannot guarantee compatibility but has tested this rack with over thirty different modules.
Monitoring
The monitoring system of any professional music environment is one of the most important parts. XL-Desk offers a pristine, SuperAnalogueTM monitoring section, packed with useful features. There are three sets of stereo monitor connections (Main, Mini 1 and Mini 2) plus a sub connection. These are controlled by a front panel button matrix with individual Level controls. The sub connection has bass management: When the SUB is engaged, the bass management sums left and right signals through a 3rd order low-pass (high cut) filter at 80Hz and sends the sum out of the Sub monitor output. Also, 2nd order high-pass (low cut) filters are inserted into the selected left and right monitor outputs. The bass management on XL-Desk is intelligent. It will remember if the SUB button is on or off for each speaker set. The Monitor Source can be selected from; Mix A, a separate External rear panel input or the front panel iJack input and a Mono button folds down these monitor sources to mono if desired. A Monitor SUM button allows any combination of these to be summed and monitored. There is a large Monitor Level control and an associated DIM button (with DIM Level control), CUT button and an AFL Level control.
XL-Desk is in many ways a traditional 24 into 8 analogue console but it packs in an incredible collection of features. It has 20 channel strips: 16 dual input mono (switchable between main input or DAW return) and 4 stereo channels. The first eight channels have VHD mic pre's. There is an 18 slot 500 format rack built in that can be used for processing or mic pre's. XL-Desk ships with a legendary SSL Stereo Bus Compressor module in slots 17 & 18 (hard wired to Mix A). The rack has its own dedicated high spec' power supply. There are four main Mix Busses (A, B, C, D) with buses B, C and D able to be summed into Mix A. The Busses and channels can access the 500 rack and each have a separate insert point for processing. There are two mono aux sends and two stereo return inputs. Direct outputs on every channel, stereo return and mix bus enable convenient stem printing. Each channel has a Cue Stereo Bus section (with Pan and Volume) used to provide one of the headphone mixes while tracking. At mixdown the mono channel DAW return signals can be routed to the CUE ST bus and then summed into Mix A, so there are 16 main faders + 16 Cue ST inputs + 4 Stereo channels providing 40 summing inputs (using the stereo returns and insert Sum functions you can squeeze in over 50 summing inputs). There is also a fully-featured monitoring section with bass management (3 sets of speakers + subwoofer), Foldback A and B with individual talkbacks for headphone mixes and a built in Listen Mic input + classic compressor circuit, with its own direct output.
Attributes
Passive Mixing Consoles attributes
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Product Details
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Properties
- 8-built in Variable Harmonic Drive (VHD) preamps
- 16 dual input mono channels (switchable between main input or DAW return)
- The legendary Stereo Bus Compressor, with new high-pass filter sidechain
- 4 stereo Mix Busses with their own insert points and access to the 500 rack
- 18-slot 500 format rack built-in, accessible from channels or mix busses
- In addition to a 500 rack insert each mono channel also has a standard insert point
- Direct outputs on every channel, stereo return and mix bus for stem printing
- One stereo and 2 mono aux sends. Two dedicated stereo return inputs
- 4 stereo channels (switchable to mono for tracking)
- Fully-featured monitoring section with bass management
- Foldback A and B with individual talkbacks for headphone mixes
- Built in Listen Mic input + classic compressor circuit, with its own direct output
- AFL and Solo-In-Place solo modes, with Solo Clear and Solo Safe (Protect) modes
- High quality internal PSU
- Balanced D-Sub rear panel inputs/outputs & Front panel headphones & iJack sockets
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