Kapat

Walrus Audio Descent Descent Reverb/Octave Machine

Pédale reverb
  • Walrus Audio Descent Descent Reverb/Octave Machine
  • Walrus Audio Descent Descent Reverb/Octave Machine
  • Walrus Audio Descent Descent Reverb/Octave Machine
  • Walrus Audio Descent Descent Reverb/Octave Machine
  • Walrus Audio Descent Descent Reverb/Octave Machine
  • Walrus Audio Descent Descent Reverb/Octave Machine
  • Walrus Audio Descent Descent Reverb/Octave Machine
  • Walrus Audio Descent Descent Reverb/Octave Machine
EUR 313.55
Free delivery in Avusturya

Özellikler

Principaux attributs
Fonctionnant sur batterie non
Types d'effets Retard , Réverbération
Véritable contournement non
Information général
Informations sur le fabricant <strong>null</strong> <br/>7801 N Robinson Ave <br/>73116 Oklahoma City OK <br/>États-Unis <br/> <br/><a href="mailto:info@walrusaudio.com" target="_blank" rel="noopener">info@walrusaudio.com</a>
Pédale reverb attribués
Bloc d'alimentation inclus non
Analogique/Numérique Analog
Configuration de sortie Stéréo
Configuration des entrées Mono
Mini-formulaire non
Tension 9V
détails du produit
Numéro de produit 186833
Marque Walrus Audio
Gamme Delay / Reverb
Catégorie Pédale reverb
Catégorie de marque Walrus Audio - Pédales reverb
Rang de pertinence 78 de 94
Date janvier 2016
Dimension
Box Depth 405mm
Box Height 98mm
Poids brut 0.666kg

Marka

Art and Performance. Walrus Audio is a collective of artists, musicians and engineers attempting to find the balance between art and performance in sound manipulation. Throughout the years we have been inspired by sounds created by our favorite companies: the perfect breakup on an overdrive; a thick, punchy distortion; an endlessly sustained reverb; a self-oscillating delay. We had to give it a shot. Through many months of late night breadboarding sessions, circuit problem-solving, and sonic tweaking we have come up with a range of guitar pedals as versatile as they are functional. From smooth fuzz to cutting overdrive, our attempts have been to highlight the functions that we would want from these particular sounds. Once we had an accurate idea of the sounds we were creating, we then tried to capture the feel and representation of the pedals through their individual artwork. This process was made possible by Oklahoma artist and musician Nathan Price. Taking stylistic inspiration from classically animated films and using freehand sketching, Nathan has perfectly captured what our pedals should look like. It is our goal to make guitar effects that are as interesting to play as they are to look at. So that's what we are going to do.
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