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Korg Multi/Poly
| Product # | 250663 |
| Brand | Korg |
| Category | Synthesizers | Brand Category | Korg - Synthesizers |
| Release date | December 2024 |
| Availability |  In backorder |
| Shop | Availability |
|---|---|
| External Warehouse |
Not in stock |
Description
Next-level analog modeling
The multi/poly features redesigned, incredible-sounding filters and oscillators – and its advances in analog modeling go so much deeper. To start with, each voice has a Virtual Voice Card whose oscillators, filters, envelopes, LFOs, and portamento circuits model analog hardware component variations. The result is that each voice has a slightly different character, creating naturally rich timbres. Dial in as much or as little of this variation as you like, separately for each sound.
Oscillators
The multi/poly offers FOUR oscillators per Program, for unusually thick, complex tones. Each can use the Classic, Digital, or Waveshaper oscillator types. The Classic oscillator models traditional analog synth oscillators with stunning fidelity and effortless thickness. 11 options include both single and dual waveforms, for modeling synths that generated multiple waveforms at once. Front panel knobs give you hands-on control of pulse width, triangle "lean", dual-waveform blend, and more.
Dual modeled filters
All of the multi/poly's filters are newly redesigned, including an amazing suite of vintage filters with authentic euphonic saturation. To start with, there are five different 4-pole self-resonating models. M/Poly provides the strong, sweet sound of the classic Korg Mono/Poly. Mini is the ladder filter from a beloved American mono-synth; resonance is reduced at low frequencies, critical for producing those classic bass sounds. Pro is from the first programmable polyphonic synthesizer, with strong resonant sweeps all the way down. Finally, Ladder HP and BP are 4-pole self-resonating highpass and bandpass filters, respectively.
Layer Rotate
The multi/poly has four Layers, each of which contains a Program. Naturally, these can create layered sounds, velocity splits, and keyboard splits. Inspired by the original Mono/Poly’s paraphonic mode, which cycled through its four oscillators, Layer Rotate adds a new possibility: flexible round-robin for entire Programs.
Modulation and Control
Bursting with knobs and controllers, the multi/poly invites you to explore. Oscillators, filters, envelopes, LFOs, and effects are all at your fingertips with dedicated front-panel controls. Four programmable Mod Knobs are customized to bring out the most in every sound. Use the knobs in realtime performance, and also save the results as new sounds. The Hold button lets you sustain notes or chords indefinitely, while you explore the front-panel controls or play other gear.
Motion Sequencing 2.0
Motion Sequencing 2.0 evolved from the wavestate’s Wave Sequencing 2.0. Timing, Pitch, Shape, and four sets of Step Sequence values are separated into “Lanes,” each with their own loop start and loop end, adding a deeper, more customizable level of phrase and modulation recording.
Kaoss Physics
Kaoss Physics models a ball rolling on a surface and bouncing off of walls. The surface can tilt in any direction. A bump with variable height/depth and location attracts or repels the ball. Adjustable friction slows the ball's travel, and adjustable time controls the speed of the entire model. All of these characteristics are modulatable, so you can change them in real-time.
Production-Ready Effects
The multi/poly’s superb effects deliver production-ready sounds. Each Layer has three dedicated effects, plus a send to the Performance's master reverb, followed by a master parametric EQ. Along with standard effects such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you’ll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS and Kronos), plus modeled effects including VOX guitar amps, VOX wah, Vintage Distortion, CX-3 Rotary Speaker and Vibrato/Chorus, multi-head tape echo, and a collection of classic guitar pedals.
Connections
Balanced stereo outputs connect to any recording or monitoring system, and a stereo headphone output is great for private playing or onstage cueing. Din-style MIDI jacks ensure connection to other MIDI-equipped instruments and audio gear, and USB supports class-compliant MIDI with Windows and macOS computers.
Editor/Librarian Software
The multi/poly Editor/Librarian lets you edit and organize sounds via your macOS or Windows computer. Using USB networking for high-speed communication, it works like a second front panel for the instrument, so there's no need to synchronize or transfer data. Animations show the effects of modulation in real-time - a great help when programming.
Free bundle of music software
The multi/poly comes with a diverse collection of music software to help you take your music to the next level, including Izotope's Ozone Elements for AI-powered mastering, Skoove for improving your keyboard playing skills, and software synths from KORG and other brands.
Built to play - and to last
An instrument that sounds this great deserves to look and feel fantastic, too. The new semi-weighted keybed is smooth and expressive, and knobs with just the right amount of resistance are perfect for dialing in your sounds. The solid aluminum front panel is built for the road, and the wooden side-panels and blue-on-black color scheme shout out to the original Mono/Poly design.
Inspired by the legendary KORG Mono/Poly, the new KORG multi/poly analog modeling synthesizer delivers breathtaking analog sounds combined with extraordinary digital power and flexibility.
The original Mono/Poly boasted an unusually rich sound from its four stacked oscillators, as well as unique, experimental features like flexible x-mod and sync routing and round-robin oscillator triggering. Previously only attainable in large modular systems, the Mono/Poly delivered these features in a compact, user-friendly instrument.
The new multi/poly is the first instrument to use KORG's next-generation analog modeling technology and builds on that legendary distinctive combination of big sounds and modular-derived experimental features. It's like a polyphonic modular system in a compact, hands-on package – a limitless playground for synth players and sound designers. Create hardware mash-ups with East-coast, West-coast, and wavetable oscillators and a wide selection of newly-modeled filters. Make them come alive with models of different envelope, VCA, and portamento circuits. Virtual voice cards produce organic timbral variation. Layer Rotate triggers new Programs with each press of a key. Plus Kaoss Physics, Motion Sequencing 2.0, massive modulation, and more.
Supplied items
- Soft Case
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Properties
- Maximum polyphony: 60 voices (may vary depending on settings)
- Kaoss Physics with dedicated X/Y touchpad for unique modulations
- Motion Sequencing 2.0 for complex modulation sequences with multiple tracks
- 4 oscillators (either “Classic” (virtual analog waveforms), “Digital” (wavetables) or “Waveshaper” (for sounds in the style of West Coast synthesis)
- Flexible routing options for oscillator sync, ring and cross modulation
- Dual filter with classic filter models such as “Mono/Poly”, “MS-20”, “Mini” or “Pro”
- 4 DAHDSR envelopes
- 5 LFOs
- 6 modulation processors
- Up to 4 complete sound programs within a Performance for Layer, Split and Layer Rotate sounds
- Complex modulation matrix with over 5,500 different modulation destinations (depending on the programming of the Motion Sequence)
- 3 effect blocks with studio-quality multi-effects
- 1 master reverb
- 1 master equalizer
- 4 programmable “MOD” controls for parameter changes
- Pitch and modulation wheel
- Versatile arpeggiator
- Inspiring random function for creating new sounds at the touch of a button
- Import option for your own wavetables in standard formats
Specifications
- Maximum Polyphony: 60 voices (varies depending on settings)
- Sound generating system: Analog modeling synthesis
Modulation:
- Controllers: Mod Wheel, Pitch Wheel, Kaoss Physics, 4x Mod Knobs
- Other Sources: 4x Envelopes, 5x LFOs, 8x Mod Processors, 3x Key Track, Seq Lanes A-D, Step Pulse, Step Pitch, Motion Seq On, Kaoss (X, Y, Distance, Angle, X+, X-, Y+, and Y-), Tempo, Program/Performance Note Count, Program/Performance Voice Count, Random (1+, 2+, 3 +/-, and 4 +/-), Constant Max, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate, Gate+Damper, Note-On Trigger, Note-On Trigger+Damper, Note Number, Aftertouch and Poly Aftertouch (external MIDI only), Pitch Bend (normal, +, and -), MIDI CCs +/-, MIDI CCs +
- Destinations: Most parameters can be modulated, with over 5,500 potential modulation targets per Performance.
Effects:
- Pre FX: Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper, Vintage Distortion
- Mod FX: Black Chorus/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage/Custom Wah, Vox Wah, CX-3 Rotary Speaker
- Delay: L/C/R Delay, Multiband Mod Delay, Reverse Delay, Stereo/Cross Delay, Tape Echo
- Master Reverb: Early Reflections, Overb
- Master EQ: 4-band parametric EQ
General:
- Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
- Power supply: AC adapter (DC12V, 2500mA)
- Power consumption: 5W
- Dimensions (W × D × H): 566 x 319 x 93 mm/22.28” × 12.56” × 3.66”
- Weight: 3.5 kg/7.72 lb
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