Dies ist das beste Mikrofon in den Punkten Feedbacksicherheit und Übersprecher Ausblendung. Da unsere Band mit In-Ear Monitoring spielt und unser Drummer sein Mic nur für Sprache innerhalb der Musiker braucht und es nicht auf die Front gegeben wird, wollten wir ein Mikrofon, welche die Beckenübersprecher so gut als möglich ausblendet. Dies gelingt uns mit dem Audix OM7 fast perfekt. Ich kenne kein anderes Mikrofon, welches so wenig Übersprecher (andere Signalquellen) überträgt. Ausserdem eignet es sich hervorragend für herkömmliches Monitoring, da es aus meiner Sicht das Feedback sicherste Mikrofon ist. Leider braucht es etwas was viel Gain, was bei Billigpulten zu Rauschen führen kann. Ausserdem muss es sehr nahe besprochen oder besungen werden. Der Pegelabfall bei mehr Abstand ist massiv (kann negativ oder positiv sein).
Audix OM7
Dynamic Microphone
EUR 233.40
Doručení zdarma (CH)
Produkt # | 82620 |
Značka | Audix![]() |
Kategorie | Dynamic Microphones | Brand Category | Audix - Dynamic Mics |
Série | Audix OM |
Datum vydání | února 2009 |
Dostupnost | ![]() |
Prodejna | Dostupnost |
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Externí Sklad | ![]() |
Jednotka: 1 piece(s)
Popis
Designed, assembled and tested by Audix in the USA, the OM7 is a dynamic vocal microphone used for professional sound companies, front of house and mixing engineers, and high profile fixed installations. The OM7 is known for its ability to provide unprecedented gain before feedback on concert level stages without sacrificing sound quality. In addition, the OM7 is very resistant to feedback on extremely loud stages, and for performers who tend to "cup" the microphone with both hands.
In order to achieve these extraordinary performance benefits, the OM7 is designed with an unconventionally low output level (8-10 dB lower than typical dynamic microphones). This low gain stage acts as a natural "pad" at the capsule in order to maintain high fidelity at the source. For this reason, the OM7 is best suited for use with high quality mixing consoles with plenty of head room to compensate for the low gain.
The OM7 is characterized with a super-tight hypercardioid polar pattern which effectively isolates the vocals from the rest of the instruments on stage. With a wide frequency range of 48 Hz - 19 kHz, the OM7 employs a VLM (Very Low Mass) diaphragm for a very clean and punchy sound with exceptional transient response.
Well balanced, comfortable to hold and durable, the OM7 is manufactured with very high standards and tight tolerances. Roadworthy construction includes a precision die cast zinc alloy body, black e-coat finish, laser etched model and serial number, steel mesh grill, Switchcraft XLR connector, and heavy duty nylon clip.
In order to achieve these extraordinary performance benefits, the OM7 is designed with an unconventionally low output level (8-10 dB lower than typical dynamic microphones). This low gain stage acts as a natural "pad" at the capsule in order to maintain high fidelity at the source. For this reason, the OM7 is best suited for use with high quality mixing consoles with plenty of head room to compensate for the low gain.
The OM7 is characterized with a super-tight hypercardioid polar pattern which effectively isolates the vocals from the rest of the instruments on stage. With a wide frequency range of 48 Hz - 19 kHz, the OM7 employs a VLM (Very Low Mass) diaphragm for a very clean and punchy sound with exceptional transient response.
Well balanced, comfortable to hold and durable, the OM7 is manufactured with very high standards and tight tolerances. Roadworthy construction includes a precision die cast zinc alloy body, black e-coat finish, laser etched model and serial number, steel mesh grill, Switchcraft XLR connector, and heavy duty nylon clip.
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Vlastnosti
Converter principle: dynamic characteristics: extreme hyper cardioid Open circuit voltage: 0.9 mV / Pa Capsule Technology: VLM Type C Frequency response: 45 Hz to 19 kHz Impedance: 150 ohms Maximum SPL:> 144 dB Recection Off-Axis:> 30 dB Dimensions: 305 gr
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Audix OM7
Hammer Mikrofon
Genialer Sound. Pfeifft so gut wie nie und klingt sehr klar für ein dynamisches Mik.
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