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T-Rex Nitros Hypergain Distortion

Distortion Pedal
  • T-Rex Nitros Hypergain Distortion
  • T-Rex Nitros Hypergain Distortion
  • T-Rex Nitros Hypergain Distortion
  • T-Rex Nitros Hypergain Distortion
  • T-Rex Nitros Hypergain Distortion
  • T-Rex Nitros Hypergain Distortion
  • T-Rex Nitros Hypergain Distortion
  • T-Rex Nitros Hypergain Distortion
EUR 156.50
Incl. VAT. Free delivery in Sweden from EUR 298
Bold and aggressive clipping circuitry.

Active 3-band EQ for extreme shaping of the voicing, Mid- to high gain with tightness and articulation, Fet-bypass for low switching noise and buffering capabilities.

Description

The T-Rex Nitros certainly does capture a very punchy and scooped high gain distortion, but being the most tweakable dirt pedal we make, it will also do the “80´s hair rock” sound to a T. And that´s with the gain knob set high…lower settings are great if you are looking for texas boogie-rock.

By incorporating an active 3-band EQ, the “color” of the distortion is highly adjustable, and the range of the EQ knobs is extremely broad. At moderate cutting/boosting, the Nitros lives in guitar hero land but start turning the knobs to the extremes and all kinds of cool tones will emerge. Anything from “Oops, I forgot to turn off my wah” to “Dude, your amp is facing the wall!!!!” is obtainable – the tones you can get are quite diverse if you really go for it!
For over-the-top scooped metal, classic rockor even alternative styles, the Nitros Hypergain will deliver the goods in spades, but its strength lies in how the basic voicing can be altered to taste – and beyond!

Attributes

Product Details
Product Number 191399
Brand T-Rex
Category Distortion Pedal
Brand Category T-Rex - Distortion
Relevancy rank 300 of 559
Date October 2017

Properties

- Bold and aggressive clipping circuitry
- Active 3-band EQ for extreme shaping of the voicing
- Mid- to high gain with tightness and articulation
- Fet-bypass for low switching noise and buffering capabilitie

Specifications

- Input impedance @ 1KHz Higher than 1M Ohm
- Output impedance @ 1KHz Lower than 1K Ohm
- Power supply 9V DC (T-Rex FuelTank)
- Minimum power supply voltage 8V DC
- Maximum power supply voltage 12,5V DC
- Current draw @ 9V DC 30 mA
- Maximum input signal V p-p 3V p-p
- Battery type 9V battery 6F22
- Battery life max. 5 hours
- External connectors input jack, output jack, 9V DC jack
- Controls on/off switch, gain, level, bass, mid, treble
- Pedal size incl. knobs (W x H x D) 60 x 50 x 117 mm / 2,4 x 2 x 4,6 inch
- Weight excl. packaging 0,20 kg / 7,05 oz

Brand

Being among the pioneers of the modern effects pedal manufacturers, Denmark’s T-Rex Engineering was brought to the world in 1996. Guitarists and engineers, Lars Dahl and Sebastian Jensen, conceived ideas and technical solutions to upgrade existing guitar effects as well as develop new effects. Aside from effects pedals, Lars and Sebastian also develop high quality equipment such as power supplies, cables, and pedal boards for guitarists around the world. After more than two decades, T-Rex has kept itself a small Danish company powered by the perfect mix of guitarists and engineers collaborating to create some of the best effects know to guitarists worldwide. From effect pedals and power supplies to pedal boards and bags, T-Rex caters to every guitarist’s needs. When it comes to materials and components, T-Rex goes above and beyond to acquire the highest of quality in areas such as film foil capacitors, regulators, and iron-cores. It is no secret that T-Rex takes great pride in the quality of the products we create. Over the years, T-Rex has developed components like potentiometers and foot switches that are extremely durable and exclusive to T-Rex. Our product portfolio includes many industry classics like the Replica, the Mudhoney, the Fuel Tank series, as well as our Tone Trunks. The company supplies top artists such as Steve Lukather (Toto), Marc Tremonti (Alter Bridge), Martin Gore (Depeche Mode), Carl Verheyen (Supertramp), Patrick Matera (Katy Perry) and Luke Potashnik (Katie Melua). We also have a huge passion for developing relationships with smaller local bands and artists. Why… We seek to improve musicians’ sound possibilities – in a never ending process.
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